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Tag: internal
Viewing 1 - 5 out of 5 Blogs.
More about the “soft” arts of China and the nature of “qi” In my article “Internal vs. external martial arts” I explain that the term “internal” is a reference to neijiaquan ("internal method fist") – a group of martial arts in China comprising taijiquan, baguazhang and xingyiquan, as well as some related arts and offshoots (eg. liu he ba fa and yi quan). These are easily identifiable arts with a very specific set of techniques based on common principles. ... Read More
“Grounding” (sometimes called “rooting”) is an essential skill in traditional martial arts and is often associated with the sanchin/sanzhan stance in many schools of karate and particularly external southern Chinese arts. It also features strongly in the internal arts of xingyi and its offshoot yi quan (see my articles “Sanchin in the Chinese martial arts”, “The naming of sanchin” and “Seisan - the universal kata” where I suggest a link between sanchin and xingyi’s “sa... Read More
Introduction Most martial artists share the goal of “hitting harder”. This is usually expressed in colloquial terms as hitting with “more force” or “more power”. But even a basic knowledge of physics will tell you that “force” and “power” are not the same thing. Which is it that makes you hit “harder” – force, power or both? And is it more helpful to talk in terms of something else such as momentum? Understanding force Many people think of “fo... Read More
What do I mean by “internal” and “external”? When I refer to the "internal" arts, I mean a specific set of techniques and methods of movement, the details I cannot go into in a short article. These methods are found (in varying but compatible forms) in the "big 3" internal arts of xingyi, bagua and taiji (liu he ba fa being a combination of the 3 to some extent). These techniques are very specific to these arts: I feel very strongly that they do not appear in the Fujian/Hakka sch... Read More
Cross referring the internal arts and goju has helped me discern not only a possible historical and technical relationship, but more importantly it has helped me understand the function of "formal" training, such as kata. I think that seeing how someone else does the same thing can give you a great deal of insight into what it is you are doing and why. Ultimately we all want to effect a natural, "no-nonsense" technique. However it seems to me that many “modern” stylists have thrown th... Read More
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